‘People seem to be going mad,’ persisted Honoria. ‘Laura spoke of buying something from that ridiculously expensive pastry shop and Susan is baking a cake, no doubt full of the disgusting hamster food they all seem to thrive on.’
‘An iced carrot cake actually.’
‘He’s coming from the far side of High Wycombe.’ Honoria, already wearing an old Barbour, now rammed a tweed pork-pie hat over her short, straight, iron-grey hair. ‘Not the North Pole.’
‘Where are you going?’ asked Amy, meaning, as she always did, how long will you be?
‘Just to Laura’s.’
If Max Jennings was coming from the North Pole, thought Amy, shivering in spite of two jumpers, a cardigan, tights, leg warmers and ankle boots, he would certainly feel at home in Gresham House.
She went into the library, where Honoria, having finished work for the day, was letting the fire go out. Amy crouched over the smouldering grey-white remains and rubbed her frozen fingers. She wondered whether to go down to the cellar and kick the boiler. This was a voracious wood-burning contraption connected to iron skirting pipes which it was supposed to feed with hot water. There were two or three dials to be twiddled as an alternative to physical violence, but neither method was wholly satisfactory. The pipes never had more than the chill taken off. The water was never more than lukewarm.
Amy decided against it. By the time she had got down there and attacked the thing she could be in her room and writing. Never a day without a line had been Olivia Manning’s dictum and Amy tried her best to live by it.
Her novel, Rompers, was safely locked away in a shagreen hat box on top of the wardrobe. She had described it to the group, not untruthfully, as a family saga, but just what type of families they were and what sort of thing they got up to remained a secret between herself and Sue. Although the sexual shenanigans were pretty decorous compared to some bestsellers and although she had, so far, been unable to bring herself to use the ‘f’ word, which seemed to look so dreadful written down, there was still enough hot stuff sizzling in the rich and glamorous stew to give Honoria serious pause for thought. A process which might well lead to the conclusion that the loosemoraled person producing such unsavoury rubbish was not worthy to reside beneath the Lyddiard roof. And then, thought Amy, where would I go? A woman of forty, completely unskilled and without a penny to her name.
This was not Ralph’s fault even though, in the eyes of the world, he had not been a success. A sailor when Amy met him, she often thought it was a mistake that he left the service. But he was worried about abandoning her for long periods and she, of course, had missed him dreadfully. He had no special gifts and talents and, while not unintelligent, never really discovered what he was cut out for. With a legacy from his parents - Honoria got the house and a small annuity - he opened a second-hand bookshop. This failed, as did other idealistic ventures - growing olives in the Evvia, picture framing in Devizes. Finally, having almost exhausted the money, they bought a tiny cottage in Andalusia with an acre of stony soil and struggled towards some sort of self-sufficiency. It was during this period that Ralph became aware of the first signs of the cancer that was to cost him his life.
Stop it! Stop it! Amy shouted the words, forcefully vanquishing her beloved husband, the tiny ill-equipped Spanish hospital, Honoria’s enraged descent and the dreadful flight home. If she was going to write herself out of her present miserable existence she would not do it by endlessly picking over the past.
She took down the hat box, removed the manuscript and re-read the last three pages to get in the mood. She was not entirely dissatisfied. The prose seemed to her quite robust and she had been careful to keep out even the slightest hint of irony. But how would it come across, Amy now asked herself, under the hard commercial eye of a tough fiction editor?
At least this time round (for Rompers was her third attempt) she had got the social class and settings right. At first, when Sue pointed out that the quickest way to make pots of money was to write within a genre which she called ‘cuddling and buying things’, Amy had quite misunderstood. Her heroine, Daphne, a dental receptionist, had been shyly approached by a divinity student while selecting a cauliflower in Tesco’s. Now, stylishly renamed, she was wheeling and dealing in Hong Kong.
Amy chewed on her Biro. When she was just thinking above writing it seemed so easy. All sorts of jolly phrases leapt to mind. Pacy, beautifully shaped, packing a punch. But when the time came to deface the dreaded blank page they never seemed to belong in what she was working on.
Likewise individual scenes. Great fun to write; difficult to fit in to the grand overall scheme. Amy had wondered about missing this step out entirely. Why should not readers buy all the bits - perhaps in a prettily decorated box - and assemble them to their own designs in their own homes? After all, people did it with furniture. It could be a new trend. And publishers were supposed to be always on the lookout for originality.
Amy looked at her watch and gasped. Half an hour since Honoria had left. All that time wasted in sad recollection instead of working towards a better future. She seized her pen.
‘Damn, damn and damn again!’ cried Araminta saltily as she picked up Burgoyne’s latest fax with trembling lips.
Honoria cycled alongside the Green in solitary and deluded splendour, pursing her mouth savagely as she spotted a single Coca-Cola tin lying meekly on its side beneath the village notice board.
Powerfully present on the parish council, Honoria had so far fought successfully against the placing of a litter bin on, or even anywhere near, the beautifully maintained verdant oval. But if this sort of loathsome despoliation was to be the result she may well have to think again.
Without doubt the article in question had been thrown down by someone from the municipal dwellings. Although these hideous breeze-block buildings were placed, quite rightly in Honoria’s opinion, on the very edge of the village proper, the social pariahs housed within seemed to think they could go wherever they liked, shouting, playing music, revving their disgusting motor bicycles. In the summer they even swarmed all over the Green to watch the cricket, bringing pushchairs and picnics and hideous tartan rugs. If Honoria had her way the dozen or so council houses would be contained behind high wire fences and patrolled by armed guards.
She turned into the driveway of Laura’s cottage and dismounted by crossing one stout leg in front of the other and jumping down. She leaned her bicycle, a large old upright with a semi-circle of yellow oilskin laced over the back wheels and a fraying wicker basket, against the garage and tapped on the front door.
Honoria was there by invitation. At her own request Laura had been looking out for a stone figure to grace the Gresham garden’s clematis walk. She had rung the previous evening to say that a catalogue had arrived for a coming sale in Worcester containing pictures of some charming statuary. Perhaps Honoria would like to come and look at them? She suggested tea time the following afternoon, which was early closing at her shop.
Honoria rapped again, but no one came. She lifted the latch, which was very old, a highly polished brass heart with a lion’s paw handle, and the door opened. All was quiet but for the tock-tocking of Laura’s tall ebony grand-father clock. Honoria peered into the two tiny rooms opening off the hall then moved, silent on thick cherry-red carpet, towards the kitchen. As she approached she heard a most strange sound - a long, juddering, in-drawn breath as if someone was being severely shaken.
Honoria hesitated, not from nervousness but from an inbred aversion to tangling with any situation not proceeding along smoothly conventional lines. She also had a distaste verging on abhorrence for minding anyone’s business but her own.