MacIver laughed. ‘There were five infantry platoons guarding the lorries that moved it to Frankfurt. There were two machine-gun platoons as back-up, and Piper Cub airplanes in radio contact with the escort column. No, not just me, Billy.’ MacIver scratched his chin. ‘Your dad never tell you about all that? And about the trucks that never got to the other end?’
‘What are you getting at, Mr MacIver?’
MacIver raised a flattened hand. ‘Now, don’t get me wrong, Billy. No one’s saying your dad had anything to do with the hijack.’
‘One of dad’s relatives in Europe died during the war. He left dad some land and stuff over there; that’s how dad made his money.’
‘Sure it is, Billy. No one’s saying any different.’
‘I don’t go much for all that war stuff,’ said Billy.
‘Well this guy Bernie Lustig, with the office on Melrose… he goes for it.’
‘A movie?’
MacIver reached into his tartan jacket and produced an envelope. From it he took a rectangle of cheap newsprint. It was the client’s proof of a quarter-page advert in a film trade magazine. ‘What is the final secret of the Kaiseroda mine?’ said the headline. He passed the flimsy paper to Billy Stein. ‘That will be in the trade magazines next month. Meanwhile Bernie is talking up a storm. He knows everyone: the big movie stars, the directors, the agents, the writers, everyone.’
‘The movie business kind of interests me,’ admitted Billy.
MacIver was pleased. ‘You want to meet Bernie?’
‘Could you fix that for me?’
‘No problem,’ said MacIver, taking the advert back and replacing it in his pocket. ‘And I get a piece of the action too. Two per cent of the producer’s profit; that could be a bundle, Billy.’
‘I couldn’t handle the technical stuff,’ said Billy. ‘I’m no good with a camera, and I can’t write worth a damn, but I’d make myself useful on the production side.’ He reached for his anti-glare spectacles and toyed with them. ‘If he’ll have me, that is.’
MacIver beamed. ‘If he’ll have you!… The son of my best friend! Jesus! He’ll have you in that production office, Billy, or I’ll pull out and take my story somewhere else.’
‘Gee, thanks, Mr MacIver.’
‘I call you Billy; you call me Miles. OK?’ He dug his hands deep into his trouser pockets and gave that slow smile that was infectious.
‘OK, Miles.’ Billy snapped his spectacles on.
‘Rain’s stopping,’ said MacIver. ‘There are a few calls I have to make… ’ MacIver had never lost his sense of timing. ‘I must go. Nice talking to you, Billy. Give my respects to your dad. Tell him he’ll be hearing from me real soon. Meanwhile, I’ll talk to Bernie and have him call you and fix a lunch. OK?’
‘Thanks, Mr MacIver.’
‘Miles.’ He dumped his cigarette into the ashtray.
‘Thanks, Miles.’
‘Forget it, kid.’
When Miles MacIver got into the driver’s seat of the Chrysler Imperial parked outside the Stein home, he sighed with relief. The man in the back seat did not move. ‘Did you fix it?’
‘Stein wasn’t there. I spoke with his son. He knows nothing.’
‘You didn’t mention the Kaiseroda mine business to the son, I hope?’
MacIver laughed and started the engine. ‘I’m not that kind of fool, Mr Kleiber. You said don’t mention it to anyone except the old man. I know how to keep my mouth shut.’
The man in the back seat grunted as if unconvinced.
Billy Stein was elated. After MacIver had departed he made a phone call and cancelled a date to go to a party in Malibu with a girl he had recently met at Pirate’s Cove, the nude bathing section of the state beach at Point Dume. She had an all-over golden tan, a new Honda motorcycle and a father who had made a fortune speculating in cocoa futures. It was a measure of Billy Stein’s excitement at the prospect of a job in the movie industry that he chose to sit alone and think about it rather than be with this girl.
At first Billy Stein spent some time searching through old movie magazines in case he could find a reference to Bernie Lustig or, better still, a photo of him. His search was unrewarded. At 7.30 the housekeeper, who had looked after the two men since Billy Stein’s mother died some five years before, brought him a supper tray. A tall, thin woman, she had lost her nursing licence in some eastern state hospital for selling whisky to the patients. Perhaps this ending to her nursing career had changed her personality, for she was taciturn, devoid of curiosity and devoid too of that warm, maternal manner so often associated with nursing. She worked hard for the Steins but she never attempted to replace that other woman who had once closed these same curtains, plumped up the cushions and switched on the table lamps. She hurriedly picked up the petals that had fallen from the roses, crushed them tightly in her hand and then dropped them into a large ashtray upon MacIver’s cigarette butt. She sniffed; she hated cigarettes. She picked up the ashtray, holding it at a distance as a nurse holds a bedpan.
‘Anything else, Mr Billy?’ Her almost colourless hair was drawn tightly back, and fixed into position with brass-coloured hair clips.
Billy looked at the supper tray she had put before him on the coffee table. ‘You get along, Mrs Svenson. You’ll miss the beginning of “Celebrity Sweepstakes”.’
She looked at the clock and back to Billy Stein, not quite sure whether this concern was genuine or sarcastic. She never admitted her obsession for the TV game shows but she had planned to be upstairs in her self-contained apartment by then.
‘If Mr Stein wants anything to eat when he gets home, there is some cold chicken wrapped in foil on the top shelf of the refrigerator.’
‘Yes, OK. Good night, Mrs Svenson.’
She sniffed again and moved the framed photo of Charles Stein which MacIver had put back slightly out of position amongst the photos crowding the piano top. ‘Good night, Billy.’
Billy munched his way through the bowl of beef chilli and beans, and drank his beer. Then he went to the bookcase and ran a fingertip along the video cassettes to find an old movie that he had taped. He selected Psycho and sat back to watch how Hitchcock had set up his shots and assembled them into a whole. He had done this with an earlier Hitchcock film for a college course on film appreciation.
The time passed quickly, and when the taped film ended Billy was even more excited at the prospect of becoming a part of the entertainment world. He found show-biz stylish and hard-edged: stylish and hard-edged being compliments that were at that time being rather overworked by Billy Stein’s friends and contemporaries. He rewound the tape and settled back to see Psycho once more.
Charles Stein, Billy’s father, usually spent Wednesday evenings at a club out in the east valley. They still called it the Roscoe Sports and Bridge dub, even though some smart real-estate man had got Roscoe renamed Sun Valley, and few of the members played anything but poker.
Stein’s three regular cronies were there, including Jim Sampson, an elderly lawyer who had served with Stein in the army. They ate the Wednesday night special together-corned beef hash with onion rings-shared a few bottles of California Gewurztraminer and some opinions of the government, then retired to the bar to watch the eleven o’clock news followed by the sports round-up. It was always the same; Charles Stein was a man of regular habits. A little after midnight, Jim Sampson dropped him off at the door-Stein disliked driving-and was invited in for a nightcap. It was a ritual that both men knew, a way of saying thank you for the ride. Jim Sampson never came in.
‘Thought you had a heavy date tonight, Billy?’ Charles Stein weighed nearly 300 pounds. The real crocodile-leather belt that bit into his girth and bundled up his expensive English wool suit and his pure cotton shirt was supplied to special order by Sunny Jim’s Big Men’s Wear. Stein’s sparse white hair was ruffled, so that the light behind him made an untidy halo round his pink head as he lowered himself carefully into his favourite armchair.