What I really wanted to see was Malachy’s infidelity. I wanted his paunch made public, the look on his face, his bottom in the air. That would be funny.
I did not expect to be led down the hall and into the spare room. I did not expect to find myself sitting on my own with an alcoholic and handsome stranger who had a vicious look in his eye. I did not expect to feel anything.
I wanted him to kiss me. He leant over and tried to take off his shoes. He said, ‘God I hate that woman. Did you see her? The way she was laughing and all that bloody lip-gloss. Did you see her? She looks like she’s made out of plastic. I can’t get a hold of her without slipping around in some body lotion that smells like petrol and dead animals.’ He had taken his shoes off and was swinging his legs onto the bed. ‘She never changes you know.’ He was trying to take his trousers off. ‘Oh I know she’s sexy. I mean, you saw her. She is sexy. She is sexy. She is sexy. I just prefer if somebody else does it. If you don’t mind.’ I still wanted him to kiss me. There was the sound of laughter from the other room.
I roll off the wet patch and lie down on the floor with my cheek on the carpet, which is warm and friendly. I should go into floor-coverings.
I remember when I wet the bed as a child. First it is warm then it gets cold. I go into my parents’ bedroom, with its smell, and start to cry. My mother gets up. She is half-asleep but she’s not cross. She is huge. She strips the bed of the wet sheet and takes off the rubber under-blanket which falls with a thick sound to the floor. She puts a layer of newspaper on the mattress and pulls down the other sheet. She tells me to take off my wet pyjamas. I sleep in the raw between the top sheet and the rough blanket and when I turn over, all the warm newspaper under me makes a noise.
WHAT ARE CICADAS?
Cold women who drive cars like the clutch was a whisper and the gear stick a game. They roll into petrol stations, dangle their keys out the window and say ‘Fill her up’ to the attendant, who smells of American Dreams. They live in haciendas with the reek of battery chickens out the back, and their husbands are old. They go to Crete on their holidays, get drunk and nosedive into the waiter’s white shirt saying ‘I love you Stavros!’ even though his name is Paul. They drive off into a countryside with more hedges than fields and are frightened by the vigour of their dreams.
But let us stay, as the car slides past, with the pump attendant; with the weeping snout of his gun, that drips a silent humiliation on the cement; with the smell of clean sharp skies, of petrol and of dung. The garage behind him is connected in tight, spinning triangles as his eyes check one corner and then the next. There is an old exhaust lying on a shelf in the wall, there is a baseball hat stiff with cobwebs, hanging in the black space over the door. There is a grave dug in the floor, where the boss stands with a storm lamp, picking at the underside of cars. Evenly spaced in the thick, white light that circles from the window are rings set in the stone, to tether cows long dead.
He has a transistor radio. He has a pen from Spain with a Señorita in the casing who slides past a toreador and a bull, until she comes to rest under the click, waiting for his thumb. He has a hat, which he only wears in his room.
He is a sensitive young man.
What are cicadas? Are they the noise that happens in the dark, with a fan turning and murder in the shadows on the wall? Or do they bloom? Do people walk through forests and pledge themselves, while the ‘cicadas’ trumpet their purple and reds all around?
It is a question that he asks his father, whose voice smells of dying, the way that his mother’s smells of worry and of bread.
They look up the dictionary. ‘“Cicatrise,”’ says his father, who always answers the wrong question — ‘“to heal; to mark with scars” — I always thought that there was only one word which encompassed opposites, namely …? To cleave; to cleave apart as with a sword, or to cleave one on to the other, as in a loyal friend. If you were older we might discuss “cleavage” and whether the glass was half empty or half full. Or maybe we can have our cake and eat it after all.’
When he was a child, he asked what a signature tune was. ‘A signature tune,’ said his father, ‘is a young swan-song — just like you. Would you look at him.’
He searched in the mirror for a clue. But his eyes just looked like his own eyes, there was no word for them, like ‘happy’ or ‘sad’.
‘Why don’t cabbages have nerves?’
‘A good question.’ His father believed in the good question, though the answer was a free-for-all.
If he was asked where his grief began, or what he was grieving for, he would look surprised. Grief was this house, the leaking petrol pump, the way his mother smiled. He moved through grief. It was not his own.
He read poetry in secret and thought his mind was about to break. Sunset fell like a rope to his neck. The Señorita slid at her own pace past the man and the bull and nothing he could do would make her change.
‘Come and do the hedges on Wednesday afternoon,’ said a woman, as he handed her keys back through the window. Then she swept off through the hedges with the exhaust like an insult. The car had been full of expensive smells, plastic and perfume, hairspray, the sun on the dashboard. The lines around her eyes were shiny and soft with cream. Her skin reminded him of the rice-paper around expensive sweets, when you wet it in your mouth.
He rehearsed in his room until he was ready, then came and did the work. He hated her for her laugh at the door. ‘It’s only money,’ she said, ‘it won’t bite.’
In years to come he would claim an ideal childhood, full of fresh air and dignity, the smell of cooking, rosehips and devil’s bread in the ditch. On a Saturday night his sisters would fight by the mirror by the door and talk him into a rage, for the fun.
‘The place was full of secrets. You wouldn’t believe the secrets, the lack of shame that people had. Children that were slow, or uncles that never took their hands out of their trousers, sitting in their own dirt, money under the bed, forgetting how to talk anymore. It wasn’t that they didn’t care, filth was only filth after all. It was the way they took it as their own. There was no modesty behind a closed door, no difference, no meaning.’
To tell the truth, he did not go back for the money, although he knew the difference between a pound note and nothing at all. His pride drove him back, and the words of the man under the hat in his room. ‘Give her what she wants.’
There was a small girl playing football on the grass, just to annoy. They knew each other from school. ‘Your father is a disgrace,’ she said in a grown-up voice. ‘A disgrace, in that old jacket.’ Then she checked the house for her mother and ran away. The woman sat knitting in the sun and watched him through the afternoon. Her back was straight and hands fast. She kept the window open, as if the smell of chicken slurry was fresh air.
She touched him most by her silence. The kitchen was clean and foreign, the hill behind it waiting to be cleared of thorns and muck. It was the kind of house that was never finished, that the fields did not want. It sat on a concrete ledge, like a Christmas cake floating out to sea.
He liked the precision of things, the logic of their place, the way the cups made an effort as they sat on the shelf. There were some strays, here and there, an Infant of Prague forgotten on the back of the cooker, a deflated football wedged behind the fridge. The cistern from an old toilet was balanced against the back wall, although the bowl was gone.