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The wedding, according to tradition, took place just after sunset; Georgian social life, writes one historian, was “as ritualised as English Victorian behaviour.” The marriage was celebrated with the rambunctious festivity of the wild town of Gori. “It was,” Keke remembers, “hugely glamorous.” The male guests were true karachogheli, “cheerful, daring and generous,” wearing their splendid black chokhas, “broad-shouldered with slim waists.” The chief of Beso’s two best men was Yakov “Koba” Egnatashvili, a strapping wrestler, wealthy merchant and local hero who, as Keke puts it, “always tried to assist us in the creation of our family.”

The groom and his friends gathered for toasts at his home, before parading through the streets to collect Keke and her family. The garlanded couple then rode to church together in a colourfully decorated wedding phaeton, bells tingling, ribbons fluttering. In the church, the choir gathered in the gallery; below them, men and women stood separately among the flickering candles. The singers burst into their elevating and harmonic Georgian melodies accompanied by a zurna, a Georgian wind instrument like a Berber pipe.

The bride entered with her bridesmaids, who were careful not to tread on the train, a special augur of bad luck. Father Khakhanov, an Armenian, conducted the ceremony, Father Kasradze recorded the marriage, and Father Christopher Charkviani, a family friend, sang so finely that Yakov Egnatashvili “generously tipped him 10 roubles,” no mean sum. Afterwards, Beso’s friends headed the traditional singing and dancing procession through the streets, playing duduki, long pipes, to the supra, a Georgian feast presided over by a tamada, a joke-telling and wisdom-imparting toastmaster.

The service and singing had been in the unique Georgian language—not Russian because Georgia was only a recent addition to the Romanov Empire. For a thousand years, ruled by scions of the Bagrationi dynasty, the Kingdom of Sakartvelo (Georgia to Westerners, Gruzia to Russians) was an independent Christian bulwark of knightly valour against the Islamic Mongol, Timurid, Ottoman and Persian Empires. Its apogee was the twelfth-century empire of Queen Tamara, made timeless by the national epic, The Knight in the Panther Skin by Rustaveli. Over the centuries, the kingdom splintered into bickering principalities. In 1801 and 1810, the Tsars Paul and Alexander I annexed principalities to their empire. The Russians had only finished the military conquest of the Caucasus with the surrender of Imam Shamyl and his Chechen warriors in 1859 after a thirty-year war—and Adjaria, the last slice of Georgia, was gained in 1878. Even the most aristocratic Georgians, who served at the courts of the Emperor in St. Petersburg or of the viceroy in Tiflis, dreamed of independence. Hence Keke’s pride in following Georgian traditions of manhood and marriage.

Beso, mused Keke, “appeared to be a good family man… He believed in God and always went to church.” The parents of both bride and groom had been serfs of local princes, freed in the 1860s by the Tsar-Liberator, Alexander II. Beso’s grandfather Zaza was an Ossetian[7] from the village of Geri, north of Gori.{21} Zaza, like Stalin, his great-grandson, became a Georgian rebeclass="underline" in 1804, he joined the uprising of Prince Elizbar Eristavi against Russia. Afterwards, he was settled with other “baptized Ossetians” in the village of Didi-Lilo, nine miles from Tiflis, as a serf of Prince Badur Machabeli. Zaza’s son Vano tended the Prince’s vineyards and had two sons: Giorgi, who was murdered by bandits, and Beso, who got a job in Tiflis in the shoe factory of G. G. Adelkhanov but was headhunted by the Armenian Josef Baramov to make boots for the Russian garrison in Gori.{22} There young Beso noticed the “fascinating, neatly dressed girl with chestnut hair and beautiful eyes.”

Keke was also new to Gori, daughter of Glakho Geladze, a peasant serf of the local grandee, Prince Amilakhvari. Her father worked as a potter nearby before becoming the gardener for a wealthy Armenian, Zakhar Gambarov, who owned fine gardens at Gambareuli, on Gori’s outskirts. As her father died young, Keke was raised by her mother’s family. She remembered the excitement of moving to unruly Gori: “What a happy journey it was! Gori was festively decorated, crowds of people swelled like the sea. A military parade dazzled our eyes. Music blared. Sazandari [a band of four percussion and wind instruments], and sweet duduki played, and everyone sang.”{23}

Her young husband was a thin dark figure with black eyebrows and moustaches, always sporting a black Circassian coat, tightly belted, a peaked cap and baggy trousers tucked into high boots. “Unusual, peculiar and morose,” but also “clever and proud,” Beso was able to speak four languages (Georgian, Russian, Turkish and Armenian) and quote the Knight in the Panther Skin.{24}

The Djugashvilis prospered. Many houses in Gori were so poor they were made of mud and dug out of the earth. But for the wife of the busy cobbler Beso there was no fear of such poverty. “Our family happiness,” declared Keke, “was limitless.”

Beso “left Baramov to open his own workshop,” backed by his friends, especially his patron Egnatashvili, who bought him the “machine-tools.” Keke was soon pregnant. “Many married couples would envy our family happiness.” Indeed, her marriage to the desired Beso still caused jealousy among her contemporaries: “Evil tongues didn’t stop even after the marriage.” It is interesting that Keke stresses this gossip: perhaps someone else had expected to marry Beso. Whether or not Keke stole him from another fiancée, “evil tongues,” later citing the best man Egnatashvili, the priest Charkviani, Gori’s police officer Damian Davrichewy and a host of celebrities and aristocrats, started wagging early in the marriage.

Just over nine months after the wedding, on 14 February 1875, “our happiness was marked by the birth of our son. Yakov Egnatashvili helped us so very much.” Egnatashvili stood godfather and “Beso laid on a grand christening. Beso was almost mad with happiness.” But two months later the little boy, named Mikheil, died. “Our happiness turned to sorrow. Beso started to drink from grief.” Keke fell pregnant again. A second son, Giorgi, was born on 24 December 1876. Again Egnatashvili stood godfather, again unluckily. The baby died of measles on 19 June 1877.

“Our happiness was shattered.” Beso was manic with grief and blamed “the icon of Geri,” the shrine of his home village. The couple had appealed to the icon for the life of their child. Keke’s mother, Melania, started visiting fortune-tellers. Beso kept drinking. The icon of St. George was brought into the house. They climbed the Gorijvari mountain, towering over the town, to pray in the church that stood beside the medieval fortress. Keke fell pregnant for the third time and swore that, if the child survived, she would go on pilgrimage to Geri to thank God for the miracle of St. George. On 6 December 1878, she gave birth to a third son.{25}[8]

“We sped up the christening so he wouldn’t die unchristened.” Keke cared for him in the poky two-room one-storey cottage that contained little except a samovar, bed, divan, table and kerosene lamp. A small trunk held almost all the family’s belongings. Spiral stairs led down to the musky cellar with three niches, one for Beso’s tools, one for Keke’s sewing-kit and one for the fire. There Keke tended the baby’s cot. The family lived on the basic Georgian fare: lobio beans, badridjani aubergine and thick lavashi bread. Only rarely did they eat mtsvadi, Georgian shashlik.

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The Ossetians were a semi-pagan mountain people who lived on the northern borders of Georgia proper, some becoming assimilated Georgians though most remain proudly separate: in 1991–93, South Ossetians fought the Georgians and are now autonomous. When Stalin’s dying father was admitted to hospital, significantly he was still registered as Ossetian. Stalin’s enemies, from Trotsky to the poet Mandelstam in his famous poem, relished calling him an “Ossete” because Georgians regarded Ossetians as barbarous, crude and, in the early nineteenth century, non-Christian. Djugashvili certainly sounds as if it has an Ossetian root: it means “son of Djuga” in Georgian. Stalin’s mother says Beso told her the name was based on the Georgian djogi, or “herd,” root because they were herdsmen and were driven out of Geri by marauding Ossetians. The real relevance is lost because, by the time of Stalin’s birth, the Djugashvilis were totally Georgianized. Stalin himself wrote about this: “What is to be done with the Ossetians… becoming assimilated by the Georgians?”

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Stalin later invented much about his life: his official birthday was 21 December 1879, over a year later, an invented date. He generally stuck to 6 December 1878 until an interview in 1920 with a Swedish newspaper. In 1925, he ordered his secretary Tovstukha to formalize the 1879 date. There are several explanations, including his desire to re-create himself. Most likely, he moved the date later to avoid conscription. As for the house where he was born, this is the hovel that now stands alone on Gori’s Stalin Boulevard, surrounded by the Grecian temple built during the 1930s by Stalin’s Caucasian viceroy and later secret police chief, Lavrenti Beria, next to the cathedral-like Stalin Museum. The Djugashvilis did not live there long.