I left the Gents before the other three or possibly five men who were already in there, I was very quick. There was still one woman waiting to go into the Ladies, there was a lot of coming and going, so I went into the Disabled toilet – painted on the door was the bizarre image of a hook, perhaps a wheelchair would have been too prosaic and sordid for such a posh place – or the toilet for cripples as Tupra had called it (I very nearly became one myself when I slipped on the ramp, which can be lethal to the still able-bodied) although he certainly did not do so out of any lack of respect, but because he must have thought that Manoia would be less likely to know the word 'cripple'. It was much bigger, positively spacious in fact, and strangely empty. Not that I thought it strange to find no handicapped person in there: the toilet was a courtesy, a considerate gesture or merely a hypocritical measure, or perhaps one made obligatory by the regulations for discos in these insistently demagogic times of ours. It is not the norm in these places for there to be an abundance of wheelchairs and crutches or even hooks. What I found odd, especially viewing the situation with the Spanish gaze I have never lost, was that other people did not just swan in there as cool and sans facon as you like and make use of the lavish facilities as if they were intended for them as well, especially if there were queues outside the other toilet. In my country no one would have taken the slightest notice of the sign on the door: they wouldn't even have seen it (I mean, no one would; we are an uncivilised race). I didn't understand the purpose of the cylindrical metal bars on the walls, perhaps they were supports for someone unsteady on their feet or barely able to walk, I touched them, there were four of them, solid rather than hollow and cold, one was fixed and the others could be moved to the right and the left, and so could be pushed out of the way against the elegant fake wall tiles, they weren't towel rails because there were no towels, however, I didn't have time to speculate further about them or to lie across one of them on my stomach (an exercise referred to by sports writers, I believe, as a 'front hip circle') as if they were exercise bars, to find out how much weight they would bear: they weren't very high, just shoulder-height. I had still not found De la Garza or Flavia, I had taken all these steps very swiftly, but my sense of urgency was growing with each second that passed without my sighting them. I had a good look, just in case, and I searched every corner of this luxury toilet for the disabled, and then I left, it was time to arm myself with determination and audacity and -there was nothing else for it – venture into the Ladies, I couldn't risk the bold duo having taken refuge in there in order to surrender themselves to lust ('It's not possible') and for me not to have found them there merely because I was too embarrassed. 'But please not one word of all this shall you mention, when others should ask for my story to hear,' said another two lines from the song I had suddenly remembered, and which was now installed in my head, even if only in fragments, and despite the surrounding din. I hoped that I would not see anything that might displease me, that I would not be asked to hear any stories; I hoped that there would be nothing that I could or should recount later.
There was still one woman, a different one from before, waiting to enter the busy toilet reserved for women and, who knows, possibly for transvestites too (I had seen a couple of them around, and I'm not sure which toilets they're supposed to use when out in public). I walked past her so quickly and with such resolve that she could only have noticed my contravention of the rules when the first door was already closing behind me. 'Hey, you,' I heard her begin to exclaim, the second word almost abandoned as if she had suddenly run out of steam – so it was not an exclamation – and she certainly wouldn't follow me in. I pushed out my chest, took a deep breath, squared my shoulders and with the same apparent sangfroid (a complete act) opened the second door, -the door that gave directly onto the toilet area and a sudden vision of a host of ladies standing before the mirrors or near them awaiting their turn or taking advantage of a space between two manes of hair to primp themselves from a distance; a kind of half-silence fell, there was a movement of heads turned in my direction, I caught the occasional perplexed or amused or frightened or even appreciative eye. I took the safe option of muttering several times the absurd word 'Security' and each time I tugged at or lifted one lapel of my jacket as if it bore an insignia which was not there: not that it matters, what matters is the gesture or the drawing of attention to something even if there's nothing to draw attention to, as when one points with one finger at the sky and everyone looks up, at the blue and the clouds, as empty and tranquil as they were a moment before; I had no idea if that repeated word 'Security' was plausible in English or if it would sound even more foolish than it did in Spanish, or if that was what a British policeman or hitman would say when pursuing someone or when engaged on some urgent mission.
I had a quick look round at the mainly attractive faces, if Rafita and Mrs Manoia had gone in there, they were not only stupid, they were imbeciles (he, of course, was a complete imbecile anyway, but not even he would be that imbecilic: in a crowded Ladies' loo, when there was a deserted toilet for the crippled right next door); but now that I was there, I had to make sure, so I strode over to the cubicles with the firm step of an inspector or a hired gun (following orders, doing something on someone else's say-so and not in your own interest or on your own initiative helps, it exempts you from responsibility, rendering a service to someone instils ease and thoughtlessness and even cruelty); there were eight cubicles, all, of course, occupied as was only to be expected given the permanent queue outside. I cast a panoramic eye over what was revealed below the abbreviated doors, two pairs of concertinaed trousers and six skirts, no – the skirts would be pulled up and therefore invisible – six pairs of legs festooned with tights and knickers (there was the odd thong and one of the women wasn't wearing tights at all, which is unusual in England, even in summer; she must have been a foreigner. 'What a palaver,' I thought, 'what a lot of minor complications, we men have it much easier'), there was nothing odd about any of the eight, the eight pairs of legs, I mean, they all appeared to be in the same normal posture, the expected, ordinary posture. It took only a moment, at most two, that sliding glance, but I couldn't help recalling the imagined image from a story my mother used to tell me when I was a child: one of the seven tests that a hero had to pass in order to rescue his beloved – a country girl or a kidnapped princess, I'm not sure which, imprisoned in a castle – consisted in recognising her by her legs alone, the rest of her body and face were hidden behind a long screen or a similarly truncated door, as were those of the six or thirteen or twenty other women lined up, an identity parade like the ones they hold in police stations except that the aim in the story was liberation rather than accusation and involved only legs, not sitting down like those in the cubicles, but standing up, the hero was thus able to see only the six, thirteen or twenty pairs of calves and thighs, and he had to guess which belonged to his shepherdess or damsel; if I remember rightly there was some trick, some detail – not a scar, too obvious even for the imagination of a child – that would lead him to give the right answer and so pass the test, even if that meant being set another far more difficult one. My mother was no longer in the world for me to ask her what that clue to recognition had been, and my father certainly wouldn't remember the tale, he might never even have heard it or asked for it since he was not her son but her husband, perhaps my sister or my two brothers would, although that was unlikely, I generally had a better memory for childhood things, and if even I couldn't remember… ‘I’ll never know, not that it really matters, most people fail to realise that not knowing everything doesn't matter in the least, because even then we always know too much, so much so that, unwittingly or deliberately, we forget most of what we know, but without worrying about it or regretting it, even if finding it out in the first place may have cost us tears and sweat and toil and blood.’