The journey hammered me down. A deadness in my fingers. Climbing on the bike, the day seemed to stretch out, endless. Zoli carried her clothes in a zajda blanket stretched around her back, two knots tied at her chest. She had already scarred her left leg on the heat of the exhaust pipe, but she did not stop: she applied her own poultice from dock leaves. Town to town, hal to hal . In the evening, we stayed in the homes ofgadze
activists. Even they had become silent. I walked around with a hol ow pit in my stomach. Whole marching bands of children went through the streets wearing red scarves, shouting slogans. The loudspeakers seemed to be turned up a notch. For long stretches we found in ourselves little to say. In the corridors of community offices al over the country, Zoli tore her face down off the wal s, shredded the pieces, put them in her pocket: Citizens of Gypsy Origin, Come Join Us.
We stayed one night in a monastery that had become a hotel. It was shoddy and ruined, ful of plastic plants and cheap prints. The bites that woke me were from bedbugs concealed under a loose corner of wal paper. Bel s rang out in the early morning, cal ing workers to their jobs. I rose and washed my arms and face in the handbasin in the corridor, paid the plump woman at the front desk. She sat in a bright plastic chair and regarded me, diligently bored, though she sat upright when she saw Zoli, recognizing her from the newspapers.
As we rode from the monastery, a series of thin and trembling images caught in the rain puddles: moving feet, windows, a smal slice of steel-colored sky. I had the very ordinary thought that surely there was an easier life elsewhere. Zoli and I waited for an hour to fil up the petrol tank. The motorbike was a curiosity with young children on their way to school. They were fascinated by the speedometer. Zoli lifted the children and al owed them to pretend that they were driving. They laughed and clapped as she pushed them along, school satchels slung over their shoulders, until they were shooed off by the petrol attendant.
In the evening we reached Martin, a gray little town along the Vah River. We were refused a hotel room until Zoli showed her Party card, and even then she was told that there was only one room left, though there were four single beds in it. It was on the top floor, something she always resisted unless she was sure there were no Gypsy men beneath her—every now and then she dredged up some of the ancient ways, and it was possible, in the old blood laws, to contaminate men by walking above them. She eventual y managed to get a first-floor room with the suggestion that she would throw a curse on the clerk. Alarmed, he scuttled away and came back moments later with the keys. It was a form of voodoo that she used only in the worst cases. She threw her bag on the soft mattress and we left for a meeting with the local officials—three Cultural Inspectors who had formerly been priests.
Al Zoli wanted to do was hold a hand up against the tide that she felt was washing over her, but Law 74 had become part of the vocabulary now; the idea was that the Gypsies were part of the apparatus. Zoli pleaded with them, but the officials smiled and doodled nervously at the edge of ledgers.
“Shit on you,” she said to them, and she walked out into the front courtyard, and sat with her head in her hands. “Maybe I should sing a song for them, Swann?” She spat on the ground. “Maybe I should jangle my bracelets?”
In the local market she came across a family of Roma who had been burned out of a sawmil and had nowhere to sleep. She brought them through the lobby of the hotel, eleven or twelve at least, not including children, and promised the clerk that they'd be out first thing in the morning. His jaw hung slack, but he al owed them to pass. In the room I set up a makeshift sheet around one bed so as not to be improper. I tried to leave so she and the family would have the room to themselves, but neither Zoli nor the others would have any of it. They insisted I stay in the bed. The women and children giggled as I undressed. My ankles were exposed underneath the hanging sheet—it was what they deemed immodest.
Part of the curtain fel aside and I watched as they gathered in the middle of the room and talked in a dialect I couldn't make out. It seemed they were talking of burnings.
When I woke I saw Zoli, in the predawn dark, climbing out the window. Al the others had already gone from the room. When she returned she held in her hand a wet cloth that I assumed she must have wiped in the dew. She lit a candle, placed it in an ashtray, and curved her hand around it as if to shield the light from me. She leaned forward and let her black hair fal before her. She pressed the wet cloth along the length of it a number of times. She brushed it as many more times with a wooden comb, then gathered her hair, coiled it, braided it. The ceiling skipped with shadow.
She slipped into the far bed.
When I stood up and walked over to her she did not move. She lay with her back to me, her neck bare. A draft flattened the candle flame. She al owed my arm across her waist. She said that there were many things she missed in her life, not least a sinewy voice that might come up from beneath the ice. I nudged in against her, kissed the back of her hair. It smel ed of grass.
“Marry me,” I said to her.
“What?” she said, speaking towards the window, not as a question, nor an exclamation, but something distant and unfathomable.
“You heard me.”
She turned and gazed some other place beyond me.
“Haven't we lost enough?” she said.
She turned and kissed me briefly as she lowered the guil otine for a final time, and I was grateful in a way that she had waited so long. A single phrase, and yet it hit me with the force of an axe. She had put a line down between us, one I could never again cross.
Zoli rose and gathered her possessions. When she left the room, I punched into the wal and heard a knuckle crack.
She was waiting outside. I had to drive her to another town. She smiled slightly at the sight of my fist wrapped in a towel, and for a brief moment I hated her and al the bareness she brought to her life.
“You've got to drive me through the mountains,” she pleaded. “I can't stand the idea of those tunnels.”
And yet we were in a tunnel anyway, we knew it, and maybe we had always been. We had sped into the arch of darkness, slowed down, steered a moment in the unusual cold, until it felt right, and then we'd jolted the bike forward again, pushed against the headlong wind. We had recognized a pinpoint of light, a tiny gleam that kept growing, and the longer we journeyed in the darkness the more dazzling the light had become, ever brighter, more bril iant, and we leaned forward onto the handlebars, until eventual y, like everyone, we had approached the mouth of the tunnel. Then we smashed that motorbike out into the sunshine, momentarily blinded, stunned, and we stayed so for quite a while, until our eyes adjusted and we began to blink and things came into focus and al around us were pebbles and amongst the pebbles, stones, and amongst the stones, rubbish, and amongst the rubbish, smal gray buildings, and between, and beyond, pockets of gray men and women, a wasteland of them—ourselves. Instead of letting our hearts sink, we had closed our eyes once more and we had ridden that bike into another darkness, another tunnel, thinking there would be a brighter light just a little further along, that nothing would derail us, and that belief, like most beliefs, was more precious than the truth.
What is there to say?
Stränsky's last words to the firing squad: “Come closer, it wil be easier for you.”