But it was a long pull and a lonely one, just Strand and Mama Lucille’s crate, and those gloss-black geldings that were none too happy about what they were carrying in the wagon.
Along the way, Strand asked farmers and range hands about Missy Crow and he heard high tales of the sick being cured and storms being raised and fevers being conjured. But when he inquired of the dead being raised up, he was met with a stony silence as if he were mad. And maybe he was. He did not linger any one place long, for once he started asking questions, folks seemed to be sizing up his neck for a swing from the sour apple tree.
Three days into it with a little advice bought with trade whiskey, he found the straw-witch’s cabin on a distant fork of the Loup River, just sitting there all by its lonesome in a wild hayfield like a headstone in the heather. There was no road going in and none coming out, just a bumpy ride across the hay meadow that smelled hot and yellow and crisping. And maybe another smell, too, one that made the geldings whinny and splutter, but Strand was gladly ignorant of.
The witch’s cabin was a simple affair with log walls and a sod roof, plank shutters banging in the wind, the whole thing congested in chokecherry and bracken, knapweed and wild sumac so that it looked not like something built, but something grown. It was shaded by a single spidery and dead scarlet oak whose branches were strung with what seemed hundreds of bones and bottles. When the wind kicked up, the bones rattled and the bottles moaned.
That’s a witch-tree, Strand told himself when he saw it, something inside him running hot and acidic. That’s a conjure-oak.
And maybe it was at that.
For as that warm-dry Nebraska wind exhaled across those empty miles, those bones rattled like they wished to walk again and the breeze blew across the mouths of those bottles in a lonely, hollow dirge.
As Strand dismounted before a low, sloping porch, he noticed that there were a half dozen scarecrows woven from cane straw nailed to uprights twisting from side to side in the breeze. Lots of other things dangled from the porch overhang, like sculptures of twine, straw, and sticks. An old woman sat beneath them in a wicker chair, rocking back and forth. She wore a patchwork calico dress and a denim scarf at her head, a clay pipe locked tight in her seamed lips.
“Well, well, well,” she said, exhaling a cloud of smoke that stank like burning pine, “so ye’ve come, have ye, Luke Strand? Just as I knewed ye would.”
Strand stood there in his rumpled suit and dusty bowler, his throat dry as fireplace soot. “You heard? You heard I was coming?”
The old lady spat off the porch. “I did not and I did not need to, son. I know things as I’ve always knowed things. I knewed you was coming just as I knewed what you would bring in that wagon. How? Mayhap I divined it in the bowels of hog or from the bones of a stillborn child or sprinkled moondust in an open grave…and does it matter?”
Missy Crow had a face fissured and flaking-brown like that of an Egyptian mummy. When she grinned with that awful rictus, it seemed that face would split open like dry brushwood. There was a jagged pink scar running across her throat and disappearing behind her ears and it looked like a crooked mouth that wanted to open up and spit at you.
“Yes, Luke Strand, that there scar is from the noose,” she said in that voice of deserts and dry washes. “Tyler County, West Virginny, it was. The good and god-fearing folk there strung me up for witching and the practice of necromancy, which be the conjuring of spirits. They left me to swing near on three days from a black elder with birds pecking at me and flies nipping, until some good Christian gent cut me down and planted me proper. Three days later, aye, I kicked my way out of the grave and visited them what had done me harm. But ye haven’t come to hear my yarning, have ye?”
Strand swallowed. “I heard you can do things. Things like in the Bible.”
The straw-witch pulled at her pipe. “Did ye now? Do ye hear that I call up plagues and storms of locusts? Boils and frogs, blisters and blights? That I can cure yer firstborn and curse yer adultering wife? Is that what ye heard, Luke Strand?”
Strand shook his head, not liking those eyes of Missy Crow’s upon him. They were just as dark and oily as coffin varnish. They seemed to look inside you and know all the things you had done and you would yet do. “I heard…I heard you can raise up the dead.”
Those eyes were on him hard then, looking into him and maybe right through. Eyes that were mystical and cabalistic, peering out from shadow-riven glens, sacred groves, and misty mountaintops where the witch-clans gathered and sang their songs, flew through the air on hackberry rods and hickory shafts, casting the runes and harnessing malignant spirits and malevolent elementals.
“And ye wish that I raise up yer dead mama, eh? Call her from the damps of the grave and from beyond the pale?” Missy Crow spat again. “Do yerself a favor, Luke Strand. Forget such vile doings. Take her home and bury her proper, say a prayer to Jesus and the saints.”
“But I brought money,” he said. “Everything I could get.”
“Did ye now?” She put those eyes on him that were open sores and secret cancers. “Then say the words, Luke Strand, say them words that will damn yer immortal soul straight to hell. Say unto me what ye would have done.”
“I want you to raise my mama…from the dead,” he managed, his breath catching in his throat.
“Ye wish a resurrection?”
“I do.”
With no help from Missy Crow, Strand brought the shrouded body of Mama Lucille into that dank-smelling cabin. Through the warped plank door knotted in a tangled profusion of woodbine and trumpet creeper. A place of shadows and sheeted forms; tables crowded with alembics and retorts and dried animal scraps; corpse-fat candles guttering on shelves amongst bones and jars of fetal things floating in brine. It smelled of spices in there, of ashes and tanned hides, wormseed and devilpitch, rotting coffin linings and graveyard soil.
“Now, Luke Strand, ye kindly step outside while I cut and sew and snip, whilst I remove things and say words and sprinkle essential salts and warm this barren clay.”
It took about two hours.
Then the still sleeping form of Mama Lucille was placed back in her box, smelling of dampness and carbolic, preservatives and cold rain.
Missy Crow the straw-witch took the money, and whispered something into the shroud. Then to, Strand himself: “Take yer mama home and bury her, son. Two days of seasoning in the ground, she’ll ripen like slaw and then just maybe…just maybe…but if she moves, if she walks above again, no salt and no meat. Remember that, Luke Strand, and I bid you good-bye. And may the Lord have mercy upon yer heathen soul for the things ye have done and those ye will yet do.”
*
Two days later.
The cemetery.
What Strand did he did in silence, he did alone, he did with a madness tickling at the base of his brain and a spade in his hands. And in that sullen graveyard, there was the rustling of unknown shadows, somber light winking off leaning tombstones, spiders tickling the dark with silken threads. High above, that ancient moon slid through the sky like whispering casket silk as something far below ripened and readied itself.
It was a night of resurrection beneath that same glowering, bloated moon. A night of digging and clawing, of the moist skin of the earth cut by the surgical blade of a shovel as a hideous gestation reached its peak. As the swollen belly of the graveyard delivered a grim parody of life from the moldering oblong box of its womb and cold meat was given breath and colder clay given sterile animation.
Strand worked that shovel, tossing out clods of black earth and squaring off the grave meticulously as was his way. He could feel it below him, waiting in the thick and swelling blackness of his mother’s coffin: a dire breathing in those damp confines of decay, a life, a death, the undead and poisoned milk of the charnel yard filling that box and needing to spill out in noxious tangles.