“It was through Fleming that I tracked down the grimy, crumbling hovel in the dark wood where Cardoux squatted when not involved in more funerary pursuits. It was just after sunset when I arrived alone and I found his tall, narrow, evil-looking peasant’s hovel darkened, threaded in shadows of the blackest coffin silk. Repeated knockings upon the heavy, ivy-hung door brought no response. Finding the door unlocked, in I went. The stench of the charnel was immediate and I found it most repellent even with my nose which was somewhat jaded from the odiferous emanations of my laboratory and assorted battlefield litter.
“I immediately sought and found an oil lantern and there is no need to describe what I saw as I have already sketched that out for you. In the flickering orange-yellow light, shivering beneath the cold marble leering of his collection, shadows crawling about me like hell-spawned imps, each step revealed more unnamable, hideous sights in that museum of the catacomb. For everywhere was the blasphemous plundered tomb-loot and disinterred faces of the undertaker’s ghoulish obsession. But it was not these things which made me perspire and chatter my teeth, but it was what I saw in the large high-timbered room amongst the moldering oblong boxes: the remains of Monsieur Cardoux, a mangled corpse riven throat to belly. But not alone, oh no. For crouched over him, their teeth sharpened upon his bones, were the children. They looked up at me with their vaulted eyes, grave-pallid faces pulling into sepulchral grins that are nearly indescribable. Bits of gore dropped from their mouths and I fled, dear friend, I burst from that house of horrors, a mad and gibbering thing. For, you see, they called me by name. They knew me.”
This was the story told to me by West upon the morning of my wedding day. If it was intended as a gift, it was of the most dreadful variety. Yet, it certainly explained things and justified certain fears of mine. I now knew why he asked me if I had seen anyone on my trip out to his workshop; he was firmly convinced that the children were watching him, making no threatening overtures as of yet, but studying him intently for reasons he would not dare admit to me. But I knew it had something to do with a conspiracy of some sort directed against him by the dead risen by his hand.
It was but the first tragedy of that day I shall never forget.
At the chapel in Abbincour, I took the hand of my betrothed that day. If I could but capture the essence of Michele LeCroix standing there at the altar in her white bridal gown, the sun arcing through the stained glass windows and surrounding her in a halo of purity. But I cannot. Hers was a clean beauty, fresh, vibrant, and breathtaking as she stood there, tall and angular, looking upon me with her huge dark eyes, her olive skin contrasting the flawless white of her gown and lace. That is how I shall always see her. And that, you see, is in fact my final image of her before that immense German shell came screaming through the air, landing just outside the church. It was fired—I later learned—by a gigantic siege gun, a 420mm Howitzer. The shell itself weighed well over 800 pounds. When it exploded, it took out the entire western wall of the chapel which had stood for some three centuries by that point. The wall literally vaporized, the chapel went to matchsticks, and all present save for a few were buried in an avalanche of rubble and debris, most mangled beyond recognition and crushed to pulp. I remember coming to as I was being dragged from the blazing, shattered husk of the church by West and Colonel Brunner. I fought free of them, completely out of mind, hearing the screams of the dying echoing in my ears, and I recall hearing Brunner say, “Dear God, man, don’t go in there! Don’t look at her!”
But I did.
Coughing, eyes filled with dust, my uniform in rags, I crawled through the wreckage as what remained of the chapel threatened to fall. And there I found my Michele. Her dress was dirty, burnt in places, but nearly intact as was her body. But she had been cleanly decapitated by a falling timber, her head smashed beyond recognition.
In the days that followed, I was offered a sympathy leave but I refused. I buried myself in my work, volunteering for any hazardous duty that would take me closer to death and closer to my Michele. Weeks later, a thin and trembling specimen, I again met up with West.
Here is what he told me:
“As you know I had great success with the secretions of the reptilian embryonic tissue in the vat. By combining these in varying quantities with the reagent I achieved incredible results—the gassed children of the orphanage were but one of them. I found, to my amusement, that if I added certain animal parts to the tissue that it absorbed them, rendered them, made them part of the great hissing pulsating whole. That fascinated me. Whether it was the corpses of rats, dogs, or spare human limbs, all were assimilated. That mass of tissue was quickly becoming a colonial life form with its own specialized organic processes and metabolic peculiarities. A few excised cells grew at a fantastic rate under the microscope if given the appropriate nourishment.
“As you also know I had for some time been reanimating various body parts and had proved, I think, that there was some ethereal biophysical connection between divided anatomies of the same animal. Well, I soon discovered that parts of different animals would react to a common brain in the same way. And it was then that I formulated a very Frankensteinian hypothesis: would it be possible, I wondered, to assemble a specimen from the raw materials of the grave and not just imbue each separate segment with life but bring into being an entire creature? The idea dominated my research for several months. I wasted no time in assembling my specimen piecemeal from the bodies of Hun that were brought to me on a regular basis. The Hun are large people and from the remains furnished me, I selected only those of the greatest stature, building my specimen piece by piece and fragment by fragment, a giant, a specimen of physical perfection.
“Perfection? Hardly. When my labors of dissection and engineering were at an end, I had put together an immense, grotesque monstrosity held together by profuse stitchwork and surgical stapling, a bulging mass of muscle, jutting bone, and artery. But I wasted no time. I applied my reagent to the limbs, the torso, various autonomic centers of the brain and spinal ganglia… all were a failure. Oh, I made certain limbs tremble and fingers wiggle, and once the specimen opened one bleary yellow eye and fixed me with a look of absolute loathing. But that was it. About the time I decided I would take the thing apart, it occurred to me that if the tissue in the vat could wield disparate remains into a colony, why could it not do the same to my creation? Unlike my crude attempts, the tissue would absorb, assimilate, and regenerate at the cellular level.
“Using a winch, for my specimen was incredible in stature and weight, I lowered it into the vat and let it ‘cook’ for nearly a week. And it was at this point that I heard the fleshy throbbing for the first time from the vile steel womb. It was, I knew, the gargantuan beat of a heart and why not? My specimen had several. I was improving upon nature, you see. You may recall visiting me and hearing it for yourself. It grew stronger by the day and then one night, yes, I heard the lid of the vat open and looked upon what came crawling out—it was an abomination, a sideshow grotesquerie, a gigantic, hulking mass of distorted anatomy from a dissection room that pulled itself in my direction, gaining its feet, and looking at me with a cold, fathomless hatred and something more—a deranged, icy intelligence. It was the embodiment of not only what I had made but of what lived in that vat. Its very life-force and, dear God, its dire ambition given form.