Brand new stories by: Domenic Stansberry, Barry Gifford, Eddie Muller, Robert Mailer Anderson, Michelle Tea, Peter Plate, Kate Braverman, David Corbett, Alejandro Murguía, Sin Soracco, Alvin Lu, Jon Longhi, Will Christopher Baer, Jim Nesbit,...
On the heels of Brooklyn, Manhattan, and the Bronx, the borough of Queens enters the chambers of noir in this riveting collection edited by defense attorney and acclaimed fiction writer Robert...
Chicago Noir is populated by hired killers and jazzmen, drunks and dreamers, corrupt cops and ticket scalpers and junkies. It's the Chicago that the Department of Tourism doesn't want you to see, a place where hard cases face their sad fates, and...
Brand-new stories by: James W. Hall, Barbara Parker, John Dufresne, Paul Levine, Carolina Garcia-Aguilera, Tom Corcoran, Christine Kling, George Tucker, Kevin Allen, Anthony Dale Gagliano, David Beaty, Vicki Hendricks, John Bond, Preston Allen,...
Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book. With Toronto Noir, the series moves...
Featuring brand-new stories by: T. Jefferson Parker, Don Winslow, Luis Alberto Urrea, Gar Anthony Haywood, Gabriel R. Barillas, Maria Lima, Debra Ginsberg, Diane Clark and Astrid Bear, Ken Kuhlken, Lisa Brackmann, Cameron Pierce Hughes, Morgan...
In the stories of Havana Noir, authors uncover crimes of violence and loveless sex, of mental cruelty and greed, of self-preservation and collective hysteria, in a city characterized by ironic and wrenching ...
“Chicago Noir is a legitimate heir to the noble literary tradition of the greatest city in America. Nelson Algren and James Farrell would be proud.” —Stephen Elliott, author of Happy Baby
“If ever a city was made to be the home of noir,...
The 16 stories in this stellar volume in Akashic's noir series paint a vivid portrait of the underside of Phoenix, where the gulf between rich and poor ensures [c]rime, and lots of it, as Millikin observes in his introduction. The writers make...