The Break is an adventure story in which the Byzantine Empire and the Catholic Church take on the British State. Which side...
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Political backstabbing, rank hypocrisy, and dastardly deception reign in this delightfully entertaining political satire, sure to lift one’s spirits far above the national stage.
America is in trouble—at the mercy of a puzzling pathogen....
DON’T TALK TO HIM ABOUT THE WAR!!!!
It has been 20 years since The War, and Major John Karnage has finally settled into retirement: locked up in an insane asylum, with an explosive device embedded in the back of his neck to curb his...
Jack Pine was born to be a Hollywood star. He has no morals, no scruples; he will not hesitate to do anything or love anyone if it might advance his career, get him the best roles, or project him ever more firmly into the spotlight. And success does...
WINNER OF THE DINAANE DEBUT FICTION AWARD FOR 2016
Compared to the likes of Clockwork Orange by Anthony Burgess, Lauren Beukes’ Zoo City and Andrew Miller’s Dub Steps, Selling LipService is a daring novel. Selling LipService introduces its...
This 1946 novel (by the author of the Worzel Gummidge books) is about a woman who goes on a cruise and is swept overboard; she lives for three years on a desert island before being rescued by a destroyer in 1943. When she returns to England it seems...
Thus begins what may be the most popular of Ross Thomas’s unique stories. The combination of Wu, pretender to the Imperial throne of China, and Quincy Durant, who has his own colorful past, makes for a heady experience. After starting with the...
In the traditions of Victor Pelevin and Vladimir Sorokin, German Sadulaev’s follow-up to his acclaimed I am a Chechen! is set in a twenty-first century Russia, phantasmagorical and violent.
A bitingly funny twenty-first century satire, The...
A parody of Atlas Shrugged (by, of course, Ayn Rand) in the form of a supposed...
Showing that truth is stranger than fiction, Sylvain Neuvel’s A History of What Comes Next weaves a sci-fi thriller that blends a fast moving, darkly satirical look at 1930s rocketry with the amorality of progress, and the nature of violence.
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